Musique Concr�te for the Eyes

It's been a while since I last reported on the gems I've found inside Netflix that travel the same waters as yours truly. And I've found a nice one, My Cinema For The Ears, directed by Uli Aum�ller and featuring mostly Francis Dhomont and a bit with Paul Lansky. The film's continuity and direction come from watching Dhomont work on a piece entitled Another Spring, which was released in 2003 on

Sounds of Venice Continued

Enrico Coniglio first came to my attention in his collaboration with one of my favorite drone ambienteers, O�phoi (whose work deserves a couple of articles here, but another time&hellip). He has been kind enough to keep me apprised of his work, and some time ago I received a couple of packages of CDs from him containing releases from different projects. Coniglio has deep roots in Venice, and he

February Furthernoise

The February issue of furthernoise.org is out, where I have two reviews: Chance Reconstruction by M. Ostermeier, a post-classical artist creating unusual work with piano and electronics; and the first volume of some nice droney Soundscapes from Edward Rizo. More info and links to the artists, plus other reviews and a new compilation of exclusive live tracks, at furthernoise.org.